Most hip hop journalists these days fall into two camps, neither of which has much to do with journalism.
The first camp includes press release aggregators and groupie types who act more like publicists than journalists. These writers attend all the right parties, score all the right interviews, blindly co-sign “hot” artists, post new singles as soon as they receive them and act as virtual mouthpieces for record labels, never questioning the direction of the culture or the artists who represent it.
They invite readers to look, listen and click, but not think. When confronted about the ills of hip hop, these “journalists” will make endless excuses in defense of rap and why they aren’t addressing deeper issues in their reporting – and they have to make these excuses, because their livelihood and status depend on rap’s popularity.
On the other end of the spectrum are “cultural tourists” at so-called hipster magazines. These writers know little about hip hop as a culture, have only scant association with the community it springs from and subconsciously gravitate toward ignorant strains of rap because they’re more comfortable with black stereotypes and caricatures than real people…continue reading at RapRehab.com.